Ubiquitous Music by Damián Keller, Victor Lazzarini, Marcelo S. Pimenta

By Damián Keller, Victor Lazzarini, Marcelo S. Pimenta

This is the 1st monograph devoted to this interdisciplinary examine zone, combining the perspectives of song, desktop technology, schooling, creativity reports, psychology, and engineering. The contributions contain introductions to ubiquitous song examine, that includes concept, functions, and technological improvement, and outlines of everlasting group projects akin to digital boards, multi-institutional examine tasks, and collaborative publications.

The e-book might be of worth to researchers and educators in all domain names engaged with creativity, computing, track, and electronic arts.

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Literary Awards
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Additional resources for Ubiquitous Music

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D. thesis, Royal Melbourne Institute of Technology (2006). pdf 11. : A synthesis process model of creative thinking in music composition. Psychol. Music 33(2), 193–216 (2005). 1177/0305735605050651. sagepub. abstract 12. : Émergence du son, son d’emergence: essai d’épistémologie expérimentale par un compositeur. Intellectica 48–49, 221–249 (2008) 13. : Rational and intuitive approaches to music composition: the impact of individual differences in thinking/learning styles on compositional processes.

Most of the reviewed models live in abstract space-time. Material context is generally included as an ad hoc factor. An alternative approach, proposing a tight relationship between the settings where the creative activity takes place and the decision-making process, has emerged from ecologically grounded creative practices. The next section provides an analysis of five cases, targeting a procedural strategy that could deal with time, place and creativity within the context of Ubiquitous Music making.

Music Educ. 24(1), 3–13 (1976). 2307/3345061. abstract 6. : Problem-solving and creativity: insights from students? Individual composing pathways. Int. J. Music Educ. 22, 59–76 (2004) 7. : Ecoacoustic and shamanic technologies for multimedia composition and performance. Organised Sound 10, 3–19 (2005). 1017/S1355771805000622. http://journals. org/article_S1355771805000622 8. : Musical creation in the post-digital era (creación musical en la era postdigital). Aisthesis 52, 449–475 (2012). 4067/S0718-71812012000200023.

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