The Big Book of Hair Metal: The Illustrated Oral History of by Martin Popoff

By Martin Popoff

Within the Eighties, heavy steel went mainstream. The darkish issues and brain-busting riffage of bands like Black Sabbath and Deep crimson all of sudden fell out of favor—replaced through a brand new legion of metalheads whose subject matters of ladies, partying, women, medications, and women have been provided amid shredding solos and gear ballads and who have been by some means extra applicable to the masses.

In this final advisor to the subgenre, acclaimed heavy-metal journalist Martin Popoff examines hair steel in an all-encompassing oral heritage jacked up by means of a kaleidoscope of outrageous and formerly unpublished costs, anecdotes, pictures, and memorabilia. The monstrous booklet of Hair steel features the observations of dozens of musicians, manufacturers, promoters, label pros, and hangers-on in analyzing hair metal's upward push and fall in addition to all of the bands that saved Aqua internet in enterprise during the Reagan recession: Twisted Sister, Bon Jovi, Poison, Mötley Crüe, Ratt, Warrant, nice White, Whitesnake, Cinderella, Vixen, Skid Row, L.A. weapons, weapons N' Roses, and dozens extra. In crafting a story of hair steel, Popoff additionally examines the criteria that contributed to the movement's upward thrust (including MTV, Reagan's "morning in America," and a common movement towards prudish morals); the bands that encouraged it (the candy, long island Dolls, Alice Cooper, and KISS, for a start); and the scenes that nurtured it (the sundown Strip, anyone?).

The journey ultimately ended circa 1991, while hair steel was once changed by way of grunge, yet what a journey it used to be. right here it really is in all of its primped-up glory.

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Literary Awards
Samuel Johnson Prize for Non-Fiction Nominee for Longlist (2010)

Additional info for The Big Book of Hair Metal: The Illustrated Oral History of Heavy Metal's Debauched Decade

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Jeff Keith (vocalist, Tesla): I love High ’n’ Dry, the rawness. But you’re right—they went commercial after that. I mean with Tesla, we had that. You’ve got to think a little bit commercial, but at the same time that was our niche or whatever you want to call it. Let’s not sit there and try to get too commercial on everybody. Let’s try to blow things out of the water. Try to stay true to the music, and we always hung with it and we were successful with it. Mike Reno (vocalist, Loverboy): Proof 1 High-energy rock with positive lyrics, good times.

Until the sun actually sets, you don’t know where the horizon is. There was nothing at that venue that you could just focus on—it was just people as far as the eyes could see. And, man, everybody got paid a lot of dough for doing that show, because they are all headliners. Basically Steve Wozniak took out his checkbook and he had his wish list and he paid what he had to pay to get everybody there. It was by far our best payday. Proof 1 22CT Jay Jay French (ON TWISTED SISTER’S SECOND LP): That’s the way we were developing.

The LP marks perhaps the apex of the band’s glam mania, with hits like “Jump,” “Hot for Teacher,” and “Panama,” each accompanied by iconic glam videos. it was really very raw. The thing that I saw in Bon Jovi, and Jon Bon which was recorded . . it was recorded by some session guys at The Power Station, where Jon kind of like quasi-worked with his second cousin. So when I first saw him and the band he had thrown together, Jovi in particular, Richie Sambora, who he had recruited, was first of all the yin and yang, the lead singer and guitarist, which is very, very important in the hard rock and metal world.

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