Sweet & Savage: The World Through The Shockumentary Film by Mark Goodall

By Mark Goodall

Mondo Cane in 1962 was once the blueprint for a surprising, arguable and influential documentary movie cycle. identified jointly as "mondo films" or "shockumentaries," this enduring sequence of flicks is a precursor of the truth television show.

A box-office draw for 3 many years and now a staple of the video condominium industry, those explosive exposs may frequently go fabricated scenes as truth so that it will supply the general public a sensationalist, hugely emotive view of the world.

Sweet & Savage is the first-ever English-language booklet committed completely to the mondo documentary movie. A research of mondo as a world movie phenomenon, it encompasses a particular exam of the main motion pictures and comprises particular interviews with the godfathers of this cult genre.

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Extra info for Sweet & Savage: The World Through The Shockumentary Film Lens

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The water was as dark as a witch's sinister brew", Davis wrote of the prelude to this scene. After the attack he observed: "Cut! I told the cameraman. I was sick to my stomach". These moving remarks are sadly undercut by the fact that the scene presented in the film is one of the most obviously fabricated mondo sequences committed to celluloid. It is obvious that most of the close up shots of the attack have been filmed in a water tank with dummies. The floating limbs are fifthrate Tom Savini and the denouement when the reptile emerges with a head clasped in its jaws, rather than invoking sharp shock and horror, instead hurtle the viewer into derision and incredulity.

The film was marketed, particularly in the UK and US (the home of sexploitation kitsch) as a kaleidoscope of saucy pin-up views of This page Mondo di Notte. the numerous manifestations of 'women of the world' and the entire concept today looks tired and sexist. Jacopetti now tries to disown or dismiss the project, claiming that the studio and his producer (Rizzoli) tied him and Prosperi to it as part of a three-picture deal.

It is obvious that most of the close up shots of the attack have been filmed in a water tank with dummies. The floating limbs are fifthrate Tom Savini and the denouement when the reptile emerges with a head clasped in its jaws, rather than invoking sharp shock and horror, instead hurtle the viewer into derision and incredulity. Many of the ritualised fights presented in Africa and South America are poorly staged and terribly acted. The truly shocking and notorious moments of an otherwise absurd film are centred around the numerous animal killings — by both human hands and non-human.

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