Shooting Movies Without Shooting Yourself in the Foot: by Jack Anderson

By Jack Anderson

Shooting Movies is the e-book for all these movie fanatics who can't get on a certified set or can't adopt stories at a pricey movie institution. The e-book techniques the topic of cinematography from a "hands-on, within the trenches" point of view, as if the reader have been an apprentice at the set. It's a e-book approximately studying to shoot a movie with out making an fool of your self and losing plenty of money and time. It's a e-book approximately the right way to take creative notion and make it a fact.

A breezy writing variety combined with useful, interactive workouts geared for either movie and video provide filmmakers the adventure they should take their paintings to the subsequent point. starting with basic innovations and ideas of cinematography, the writer stocks his decades of expertise with the reader, providing useful suggestion and advice on the right way to stay away from universal pitfalls, and extra importantly, research from mistakes.

. offers a mentorship-in-a-book technique no longer came across any of the opposite technical courses to cinematography, utilizing either movie and video exercises
. Written for filmmakers engaged on a budget
. targeted workouts through the e-book give you the reader with an interactive event that might provide them the next point of workmanship and may increase the standard in their capturing, lights, and reel--all on a budget
. research the realty of filmmaking from the cinematographer's perspective
. spouse site showcases video samples, visible demonstrations of the routines within the e-book, and extra video motives of the ideas which are greater defined visually

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Additional info for Shooting Movies Without Shooting Yourself in the Foot: Becoming a Cinematographer

Sample text

Friction heads are pretty much amateur stuff. The head, with its pivoting movement, is what allows the camera operator to manipulate the camera, to follow the action or change the framing smoothly and inconspicuously. If you're operating, make sure you're getting the kind of head you like, and make sure it's in good working order. You can tell just by panning and tilting. Does it work smoothly? Is there enough resistance, not too much, not too little, just so it feels effortless? Is the fluid head leaking?

Figure out how long it will take to get there—and double it! You don't have a car? Make arrangements to carpool, or use public transportation. And allow 15 to 30 minutes for the inevitable “unforeseen” problems. ” Eat On Your Own Time Let's hope your producers have some snacks or breakfast on the set. This is ­usually called Craft Service, from the name of the union (Crafts Services) that used to shovel up the horse leavings in the silent movie days and is now Shooting Movies Without Shooting Yourself in the Foot © 2012 Elsevier Inc.

This way while the stars are off in makeup, wardrobe, hair, and rehearsal, there are flesh-and-blood models for the DP to light and to practice camera moves with. Often the principal actors will have been called to the set just as they've arrived and will not have had time to get made up or costumed. So they are off doing that while the lighting is getting set up, or they may also use that time to run lines, rehearse, or discuss the scene with the director. As soon as the actors leave, the AD will ask the DP how long lighting will take.

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