By Malinda Johnston
Книга посвящена бумагокручению (технике квиллинг) - искусству изготовления композиций из скрученных в спиральки длинных и узких полосок бумаги. Основные приемы, красочные композиции, авторские работы.
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At all adventures, and that with not a mast standing ’ 11 reads like the striking reversal o f Rucellai’s coat o f arms. As for Robinson’s financial success, its modernity is at least as questionable: though the magic paraphernalia o f the story o f Fortunatus (who had been his main predecessor in the pantheon o f modern self-made men) are gone from the novel, the way in which Robinson’s wealth piles up in his absence and is later returned— ‘an old pouch’ filled with ‘one hundred and sixty Portugal moidores in gold’, followed by ‘seven fine leop ards’ skins .
23 ‘What he has’ includes o f course the island, too: ‘His la b ou r hath taken it A Working Master 31 There is a word that perfectly captures Robinson’s behaviour: ‘indus try’. According to the OED, its initial meaning, around 1500, was that o f ‘intelligent or clever working; skill, ingenuity, dexterity, or cleverness’. Then, in the mid-sixteenth century, a second meaning emerges— ‘diligence or assiduity . . close and steady application . . ’ By working on the island, in other words, Robinson has made it his own.
It was the dawn o f today: capitalism triumphant, and bourgeois culture dead. Many things are missing from this book. Some I had discussed else where, and felt I had nothing new to say about: it’s the case of Balzac’s p a rv en u s , or Dickens’s middle class, that had played a large role in The IVay o f the W orld and Atlas o f the E uropean N ovel. Late-nineteenth-century American authors— Norris, Howells, Dreiser— seemed for their part to add little to the general picture; besides, The B ou rgeois is a partisan essay, with no encyclopaedic ambitions.