Lie by Moonlight (Vanza, Book 4) by Amanda Quick

By Amanda Quick

Whereas investigating a suspicious demise, deepest inquiry agent Ambrose Wells unearths himself at the grounds of Aldwick Castle—and in the middle of utter chaos. The ramshackle fort is in flames—and a stunning lady and 4 younger women are backing out on horseback. It seems that the strong-minded leave out Concordia Glade and her 4 vivid scholars are at the run from a infamous London crime lord who’ll cease at not anything to spoil them. Now, their simply wish is Ambrose, a proven loner with greater than his proportion of secrets—and greater than his proportion of hope for the radical instructor. And as Ambrose and Concordia probability every little thing to carry down a felony mastermind, they are going to even be compelled to conflict anything even larger: the steamy ardour that threatens their hard-won independence…

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Additional resources for Lie by Moonlight (Vanza, Book 4)

Example text

This is hardly an easy claim to advance within our present order of knowledge and the possibilities it dictates for us. Paranormal phenomena, after all, dramatically violate those firm epistemological boundaries that, since Descartes, have increasingly divided up our university departments (and our social reality) into things pertaining to matter and objective reality (the sciences) and things pertaining to human experience and subjective reality (the humanities).  well, whatever that is. Paranormal phenomena, however, bring the subjective component back in, and with a vengeance—the return of the repressed in all its fury.

Paranormal phenomena, however, bring the subjective component back in, and with a vengeance—the return of the repressed in all its fury. Whatever they are, it is clear that such events cannot be understood without reference to consciousness and the material world: Wolfgang is in town and the laboratory instruments fizzle and fry; the physical location of Elizabeth’s harp is pegged by a mind over a thousand miles away; my analyst colleague feels a sharp stabbing physical pain in relationship to an emotional story she has not yet heard; and so on.

This is how they escape the various social, political, and intellectual censors of their own social surround—by being serious by not being serious. Essentially, popular culture “flies low,” well under the radar. It is also worth underlining the fact that Partridge’s central notion of reenchantment requires for both its logic and energy an earlier and equally Off the Page 29 profound disenchantment. Occulture is not a matter of naive belief, much less of orthodox faith. ” Like Owen’s occultism, then, Partridge’s occulture is a very modern phenomenon that has already incorporated the secular and the scientific.

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