John Carter and the Gods of Hollywood by Michael D. Sellers

By Michael D. Sellers

How did Disney's movie develop into a calamity of historical proportions?  Michael , a Hollywood filmmaker himself, observed the catastrophe imminent and fought to save lots of the venture - yet with no good fortune. In John Carter and the Gods of Hollywood, dealers information each blunder and betrayal that resulted in the doom of the movie - and that left numerous Hollywood careers within the wreckage.

John Carter and the Gods of Hollywood examines each element of Andrew Stanton's version and Disney's campaign and seeks to respond to the query: What went flawed? it encompasses a heritage of Hollywood's a hundred 12 months attempt to deliver the movie to the reveal, and examines the worldwide fan stream spawned by means of the movie.

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So we were fucked, or schtupped, as they say in Gaza. Andy and I flew across the Atlantic to check up on our baby. As we arrived on the set, where all business was conducted in Hebrew, there was a lot of passion and intense gesticulation among the actors. Oh, I thought to myself, maybe Menahem dropping out wasn’t such a bad thing after all—things seem to be moving along quite nicely. They seem very dedicated to the material, very committed. And then I got closer: HOT ISRAELI ACTOR (MOISHE): When is the goddamn fucking lunch break?!

You want to know the truth, though? 21 You’re welcome, Oliver Stone! 19 The Oscar winning one by Paul Haggis,* not the masterpiece by David Cronenberg. ** **LLOYD’S RESPONSE: Yup. 20 FOOTNOTE GUY: I counted 5, IG, 5. *** *** Oliver Stone did go on to make such box office hits as Any Given Sunday, Natural Born Killers, Payout, Wall Street, The Doors, and Platoon. 21 FOOTNOTE GUY: This is some deep philosophical stuff, Lloyd. You’ve really grown a lot as a human being since we last spent time together.

INDEX GYNO: You’re doing the “well-known” thing again. A big FU from you to FG. ** **FOOTNOTE GUY: Thanks for sticking up for me! 1 LK does his famous Quasimodo imitation as he directs rare Siamese twins attached at the tongue. Instead, we decided to let the older, wiser, more experienced Theodore Gershuny (who rewrote the script and made it even more boring) direct it. As part of digging ourselves into an even deeper hole, Gershuny’s wife Mary Woronov played the lead—and this was a mistake.

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