Ivan the Terrible (BFI Film Classics) by Yuri Tsivian

By Yuri Tsivian

From Amazon: "Ivan The bad (1944/46) was once envisaged as a trilogy, yet, its director Sergei Eisenstein died earlier than begining creation at the 3rd half. This e-book deals an perception into Eisenstein's grand undertaking. Tsivian reconstructs the director's "mental film" that underlies the completed work." Yuri Tsivian is Professor of artwork historical past and Cinema reviews on the college of Chicago and writer of Silent Witnesses: Russian motion pictures, 1908-1919 (1989), Early Cinema in Russia and its Cultural Reception (1994), and, in collaboration with Yuri Lotman, Dialogues with the monitor (1994).

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My thanks go to Tony Magistrale for his expert editorial guidance and insightful suggestions. Above all, I thank my first German teacher in high school, Rev. J. (1929–2007), who opened up a whole world inside and outside the classroom for his pupils and who has served as a model of humane mentoring throughout my teaching career. Requiescat in pace. Chapter 3 Maybe It Shouldn’t Be a Party Kids, Keds, and Death in Stephen King’s Stand By Me and Pet Sematary Jeffrey A. Weinstock What connects Stand By Me (1986) and Pet Sematary (1990) most poignantly—if not most immediately—is the sneaker.

In his “Bogeyboys” talk, King expressed sympathy for young people whose high school experiences of isolation and torment lead them to do horrible things: “In Iroquois trials of manhood, naked warriors were sent running down a gauntlet of braves swinging clubs and jabbing with the butt end of spears. ” Film viewers either familiar with King’s novella or seeing Apt Pupil in a post-Columbine world probably are bracing themselves for a cataclysmic conclusion to the film: Todd self-destructing at his high school graduation ceremony, for example, and taking down as many people as possible with him.

As Margaret attempts to end Carrie’s life through a physical form of betrayal (backstabbing), Carrie TEEN HIERARCHIES IN CARRIE 23 hits her breaking point and kills Margaret with a variety of kitchen implements. At this point, she finally gives up and gives in: “Carrie has pushed her isolation as far as possible. She has killed everyone who has touched her life, dissolving all social bonds until there are literally no groups left” (Collings 38–39). Just as the ladder of teen hierarchy had collapsed in on itself at Bates High School before Chris’s prank, and is now destroyed through the massive death toll, Carrie brings her house down on herself and her mother.

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