I Blame Dennis Hopper: And Other Stories from a Life Lived by Illeana Douglas

By Illeana Douglas

From award-winning actress Illeana Douglas comes a memoir approximately studying to outlive in Hollywood whereas staying precise to her quirky imaginative and prescient of the world.

In 1969 Illeana Douglas' mom and dad observed the movie Easy Rider and have been remodeled. Taking Dennis Hopper's phrases, "That's what it's all approximately man" to middle, they deserted their cozy top center classification existence and gave Illeana a adolescence choked with hippies, goats, loose spirits, and unfastened love. Illeana writes, "Since it used to be all out of my keep watch over, i started to consider my existence as a film, with a Dennis Hopper-like father on the middle of it."

I Blame Dennis Hopper is a testomony to the ability of artwork and the tenacity of ardour. it's a rollicking, humorous, every now and then gentle exploration of ways video clips can swap our lives. With crackling humor and an entire middle, Douglas describes how an outstanding Liza Minnelli impact helped her land her first gig and the way Rudy Valley taught her the that means of being a convey biz trouper. From her first adventure being on set together with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the instant she was once found by way of Martin Scorsese for her blood-curdling scream and solid in her first movie, to starring in video clips along Robert DeNiro, Nicole Kidman, and Ethan Hawke, to turning into an award profitable author, director and manufacturer in her personal correct, I Blame Dennis Hopper is an impossible to resist love letter to video clips and filmmaking. Writing from the viewpoint of the last word convey company fan, Douglas packs each one web page with hilarious anecdotes, strange coincidences, and fateful conferences that appear, good, correct out of a plot of a film.

I Blame Dennis Hopper is the tale of 1 woman's adventure in convey company, however it can also be a real reminder of why all of us love the flicks: for the glitz, the glamor, the sweat, ardour, humor, and get away they give us all.

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Extra resources for I Blame Dennis Hopper: And Other Stories from a Life Lived In and Out of the Movies

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Not surprisingly, the application of this calculus and the interpretation of the results will depend on whose cost, and whose benefit we are considering. Evans proposes two questions to help decide whether to publish a possibly "offensive" news photograph: "is the event it portrays of such social or historical significance that the shock is justified? " But these questions concern the responsibility of the image maker to the audience; what of the subject whose life is exposed to public view or even, in the extreme case, whose life may be threatened by the presence of the image maker?

What cost is there to them, now, in being contemplated as aesthetic objects, and what benefit to them were their images to be used to awake contemporary consciences? Perhaps many of the moral conflicts we've surveyed should be subject to a statute of limitations. But surely there is more at stake than the immediate concerns of the imaged subject, however large those 20 Image Ethics concerns loom in the legal arenas we have visited. The responsibility of the image maker to his or her subjects may not be always so different from their responsibility to the audience.

For purposes of trade, the . . S. Supreme Court would not hear his appeal against the New York Times, and "the state legislature, heavily lobbied by the media, nullified the state court's ruling" against the photographer and photo-agency (Goldstein, 1985:120). For the present, then, the legal precedent is unclear but hardly encouraging to the rights of members of the public; even so, the case is still reverberating through the image industries. We must note, however, that Mr. Arrington's claims were accepted as valid not when he complained of the newspaper's action in presenting him in a false light, but when he caught the photographer and photo agency in the commission of a misdemeanor for appropriating his image for their financial advantage.

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