History on Film/Film on History (2nd Edition) (History: by Robert A. Rosenstone

By Robert A. Rosenstone

History on Film/Film on background demonstrates how movies should be analyzed as ancient assets. It deals undergraduates an creation to a couple of the 1st concerns concerned with learning old movies.
Rosenstone argues that to depart historical past motion pictures out of the dialogue of the which means of the prior is to disregard a significant factor in our realizing of previous occasions. He examines what background movies express in regards to the previous and the way they communicate it, demonstrating the necessity to how to learn and comprehend this new visible international. This re-creation areas this 'classic' textual content within the context of labor performed in other places within the box over the 10 years on account that this e-book first released, and aid to resume the name for a brand new new release of undergraduates.

Show description

Read or Download History on Film/Film on History (2nd Edition) (History: Concepts, Theories and Practice) PDF

Similar film books

Dreams and Dead Ends: The American Gangster Film

The second one version of this vintage learn presents a reintroduction to a few of the key movies and theoretical concerns of movie noir and gangster motion pictures in twentieth-century the USA. starting from Little Caesar (1930) to objects to Do in Denver while You're lifeless (1995), Shadoian courses the reader via twenty vintage video clips of the style.

Hollywood's Copyright Wars: From Edison to the Internet (Film and Culture)

Copyright legislation is critical to each level of media creation and reception. It is helping ensure filmmakers' creative judgements, Hollywood's company constitution, and the forms of media intake. the increase of electronic media and the net has basically extended copyright's achieve. each person from manufacturers and sceenwriters to beginner video makers, dossier sharers, and web marketers has a stake within the historical past and way forward for piracy, replica security, and the general public area.

Beginning with Thomas Edison's competitive copyright disputes and concluding with fresh proceedings opposed to YouTube, Hollywood's Copyright Wars follows the fight of the movie, tv, and electronic media industries to steer and adapt to copyright legislations. lots of Hollywood's such a lot valued treasures, from smooth occasions (1936) to megastar Wars (1977), can't be absolutely understood with out appreciating their felony controversies. Peter Decherney indicates that the historical past of highbrow estate in Hollywood has now not continually reflected the evolution of the legislations. Many landmark judgements have slightly replaced the industry's habit, whereas a few quieter rules have had progressive results. His so much extraordinary contributions discover Hollywood's reliance on self-regulation. instead of contain congress, judges, or juries in settling copyright disputes, studio heads and filmmakers have frequently stored such arguments "in house," turning to expertise guilds and different teams for ideas. even if the difficulty has been combating piracy within the 1900s, controlling the specter of domestic video, or coping with smooth novice and noncommercial makes use of of safe content material, a lot of Hollywood's engagement with the legislations has happened offstage, within the higher theater of copyright. Decherney's designated background recounts those extralegal options and their effect on American media and culture.

The Cinema of Hal Hartley

Essentially the most major members to the yankee self sufficient cinema that built over the overdue Eighties and Nineteen Nineties, Hal Hartley has all through his profession created motion pictures that defy conference and trap the stranger realities of recent American existence. The Cinema of Hal Hartley appears in any respect of Hartley's movie releases - from cult classics corresponding to The unimaginable fact and belief to oddball style experiments similar to No Such factor and Fay Grim to brief movies akin to Opera No.

Xerox Ferox: The Wild World of the Horror Film Fanzine

A scene that encouraged generations of writers, filmmakers and fanatics, XEROX FEROX is the 1st e-book to hide the horror movie fanzine and the tradition it spawned. From recognized Monsters of Filmland to Fangoria and every little thing in among, XEROX FEROX is far greater than a publication approximately monster magazines. It examines the home-grown DIY fanzines that dared to dig deeper than the slick and glossy newsstand mags ever could.

Additional info for History on Film/Film on History (2nd Edition) (History: Concepts, Theories and Practice)

Example text

When screened in Germany, the American mini-series Holocaust first caused an uproar, as if the nation’s history was being stolen by foreigners. Yet soon enough, the work was being credited with opening a debate over the meaning and legacy of the H is tor y on film Third Reich, leading to new scholarship on the period, and spurring the creation of films by directors of the New German Cinema, who explored and presented a variety of perspectives on the Nazi regime. In Argentina, the dramatic feature The Official Story publicized the case of los desparacidos, those who had been ‘disappeared’ by the military regime, and provided support to the Mothers of the Plaza de Mayo, a movement of women seeking their vanished sons and daughters.

To answer the question: just what, if anything, do history films convey about the past, and how do they convey it? Not that I would have phrased the issues that way when I began. My first essay on the topic resulted from an invitation by a historical journal to take a look at Reds from the dual perspective of both insider and outsider (Rosenstone 1982). The essay turned out to be both an appreciation and a critique, one based on the reactions of a (rather) traditional historian who focused on details and themes yet ignored what later became so obvious to me – that words and images work to express and explain the world in somewhat different ways.

Yet its depiction of the American Civil War, its view of the South as suffering under the depredations of ex-slaves and carpetbaggers during reconstruction, its exaltation of the Ku Klux Klan as heroes in a racial conflict, and its (literally) dreadful stereotypes of African Americans were (alas) direct reflections of the major interpretations of the era in which it was produced – not just the beliefs of the citizen in the street but the wisdom of the most powerful school of American historians of that era.

Download PDF sample

Rated 4.32 of 5 – based on 8 votes