Fledgling (The Shapeshifter Chronicles, Book 1) by Natasha Brown

By Natasha Brown

Set except different eighteen 12 months olds, Ana Hughes understands she is assorted. A existence threatening middle situation smothers her destiny and she or he yearns to think common. Her hopes are pinned on a clean commence in a distant city faraway from her local Colorado. one of the locker stuffed hallways in Clark Bend excessive, Ana retains to the shadows, now not desirous to draw cognizance to her violet tinged lips and wilted silhouette. and he or she nearly succeeds, until eventually she meets probability Morgan.

Struggling to maintain appearances, she quickly suspects probability is hiding whatever to boot. His animal-like senses, stunning therapeutic skill and bizarre response to her Thunderbird necklace compels Ana to query if there’s extra to the tales approximately his Navajo ancestry. with none different rationalization, she fears he's enjoying tips on her. however the fact may well turn out an excessive amount of for Ana’s tender heart…

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Additional info for Fledgling (The Shapeshifter Chronicles, Book 1)

Sample text

This is hardly an easy claim to advance within our present order of knowledge and the possibilities it dictates for us. Paranormal phenomena, after all, dramatically violate those firm epistemological boundaries that, since Descartes, have increasingly divided up our university departments (and our social reality) into things pertaining to matter and objective reality (the sciences) and things pertaining to human experience and subjective reality (the humanities).  well, whatever that is. Paranormal phenomena, however, bring the subjective component back in, and with a vengeance—the return of the repressed in all its fury.

Paranormal phenomena, however, bring the subjective component back in, and with a vengeance—the return of the repressed in all its fury. Whatever they are, it is clear that such events cannot be understood without reference to consciousness and the material world: Wolfgang is in town and the laboratory instruments fizzle and fry; the physical location of Elizabeth’s harp is pegged by a mind over a thousand miles away; my analyst colleague feels a sharp stabbing physical pain in relationship to an emotional story she has not yet heard; and so on.

This is how they escape the various social, political, and intellectual censors of their own social surround—by being serious by not being serious. Essentially, popular culture “flies low,” well under the radar. It is also worth underlining the fact that Partridge’s central notion of reenchantment requires for both its logic and energy an earlier and equally Off the Page 29 profound disenchantment. Occulture is not a matter of naive belief, much less of orthodox faith. ” Like Owen’s occultism, then, Partridge’s occulture is a very modern phenomenon that has already incorporated the secular and the scientific.

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