By J.W. Frederiks
The fourth quantity on Dutch silver bargains with these embossed ecclesiastical and secular items which aren't defined in quantity I. on the grounds that that quantity is limited to plaquettes, tazze and dishes, including the full oeuvre of the 3 most renowned artists Adam and Paul van Vianen, and Lutma, a wide number of gadgets is still handled. among those are many extremely important and gorgeous vessels. The relevant items defined during this quantity are of ecclesiastical beginning similar to monstrances, ciboriums, chalices, pyxes, chrismatories, mass-cruets, incense-boats and burners, altar-thrones, lecterns, missal covers, canon-board frames, altar -bells, altar-vases, altar -candlesticks, sanctuary lamps and sconces. additional, secular silver reminiscent of plaquettes, tazze and dishes, that experience come to our wisdom because the ebook of the 1st quantity, and in addition plaquette medals, containers, book-covers, beakers, tankards, cups, bowls, basins, bottles, plate used for the lavatory, for the desk, candlesticks and plate used for the carrier of tea, espresso and chocolate. A basic survey of a few gadgets is given within the Introductions to the 1st and moment volumes (Volume I, p. VI; quantity II, p. VI~XIV). definite extra observations in regards to the nature, means of manufacture and ornament of the actual forms of article illustrated during this quantity are, notwithstanding, important.
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Additional resources for Dutch Silver: Embossed Ecclesiastical and Secular Plate from the Renaissance until the End of the Eighteenth Century
In the temple is a figure of the Virgin. Above the roof is another, smaller temple surmounted by a crucifix. On either side of the top stands an obelisk. Stem and foot are of chalice form, the cuppa of which is embossed with four panels depicting St. Martin, St. Willibrord, St. Bavo and St. Nicholas, interspersed with cherubs' heads. Thestem is formed as a flattened ball decorated with cherubs' heads, floral ornament and applied conventional flowers. Between stem and foot is a floral wreath. The quatrefoil foot is embossed with the emblems of the Evangelists, floral ornament and mouldings.
Stamped egg and tongue border. Unsigned. Marks: Cypher (Voet II, 14) ; Haarlem; \V (1618). Voorl. lijst v, i, p. 136; Exh. Old Eccl. Art ('S Hertogenbosch 191 3) no. 935. H. 500 mm. R. C. Church of St. Joseph, Haarlem. B THE RENAISSANCE STYLE - NORTH-HOLLAND/DELFT UNKNOWN MASTER OF NORTH-HOLLAND The famous beaker of the Earl of Yarborough commemorating the sea-fight of the Zuiderzee in 1573 is an imposing piece which can only be compared with the Haheniohe beaker of 1600. It is undoubtedly one of the finest pieces made in the Netherlands, embossed and en~ graved by an artist with an excellent taste for composition and a great ability as a craftsman.
67 GRONINGEN B. 45 45 .. THE LOBATE STYLE COMBINED WITH OTHER ELEMENTS. CONTENTS XXXVI NORTH-HOLLAND 68 68 SOUTH-HOLLAND 77 . 83 NORTH-BRABANT 85 85 C. THE FLORAL STYLE . UTRECHT. OVERIJSEL . FRIESLAND . . D. OTHER PIECES NORTH-HOLLAND SOUTH-HOLLAND 86 93 93 99 ZEELAND. 100 FRIESLAND. 101 NORTH-HOLLAND. 102 102 SOUTH-HOLLAND. 118 ZEELAND . . UTRECHT . . 124 124 126 127 IV. THE EIGHTEENTH CENTURY NORTH-BRABANT. LIMBURG . FRIESLAND . . 128 GRONINGEN . . 141 UNKNOWN DUTCH MASTER. 143 GENERAL INDEX OF MASTERS.