Chasing the Rising Sun: The Journey of an American Song by Ted Anthony

By Ted Anthony

Chasing the emerging Sun is the tale of an American musical trip advised by way of a prize-winning author who traced one music in its many incarnations because it used to be carried the world over via probably the most recognized singers of the 20 th century.

most folk comprehend the tune "House of the emerging Sun" as Sixties rock through the British Invasion team the Animals, a ballad a couple of position in New Orleans -- a whorehouse or a jail or playing joint that's been the smash of many terrible women or boys. Bob Dylan did a model and Frijid crimson lower a hard-rocking rendition. yet that hardly scratches the skin; few songs have traveled a trip as complex as "House of the emerging Sun."

the increase of the tune during this nation and the release of its international travels could be traced to Georgia Turner, a terrible, sixteen-year-old daughter of a miner dwelling in Middlesboro, Kentucky, in 1937 whilst the younger folk-music collector Alan Lomax, on a visit gathering box recordings, captured her voice making a song "The emerging sunlight Blues." Lomax deposited the tune within the Library of Congress and incorporated it within the 1941 publication Our making a song Country. in brief order, Woody Guthrie, Pete Seeger, Lead stomach, and Josh White realized the track and every recorded it. From there it all started to maneuver to the planet's farthest corners. this day, hundreds of thousands of artists have recorded "House of the emerging Sun," and it may be heard within the so much diversified of locations -- chinese language karaoke bars, Gatorade advertisements, and as a hoop tone on cellphones.

Anthony begun his seek in New Orleans, the place he met Eric Burdon of the Animals. He traveled to the Appalachians -- to jap Kentucky, jap Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He came across Homer Callahan, who discovered it within the mountains in the course of a corn shucking; he came upon connections to Clarence "Tom" Ashley, who traveled as a performer in a Twenties drugs express. He went to Daisy, Kentucky, to go to the relatives of the overdue high-lonesome singer Roscoe Holcomb, and at last again to Bourbon highway to determine if there particularly was once a home of the emerging solar. He interviewed rankings of singers who played the track. via his personal trip he came upon how American traditions survived and prospered -- and the way a section of tradition strikes throughout the smooth international, propelled by way of know-how and globalization and recorded sound.

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Literary Awards
Samuel Johnson Prize for Non-Fiction Nominee for Longlist (2010)

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Der anzügliche Text muß ja, bevor er vermutlich als Einzelblatt gedruckt wurde, abgesprochen und genehmigt worden sein – anderenfalls wäre für die Künstler das Risiko viel zu hoch gewesen, anstatt honoriert zu werden in Ungnade zu fallen! Es wird deutlich, wie wenig wir trotz vieler Detailforschung über Lebensgefühl und Umgangsformen der Zeit wissen. (Als Bach in der um 1712 entstandenen Jagd-Kantate Verse des Weimarer Hofdichters Salomon Franck zum Geburtstag des Herzogs Christian von SachsenWeissenfels zu vertonen hatte, war er genötigt gewesen, diesen im Sinne totaler Devotion als Pan seines Landes zu feiern, das ohne ihn einer Totenhöhle gleiche; nämlicher Christian wirtschaftete das Land freilich so herunter, daß ihm eine kaiserliche Kommission zur Finanzverwaltung vor die Nase gesetzt werden mußte.

Daß Picander den Text nicht ohne Vorlage gedichtet, Bach ihn nicht Spuren eines Einzelgängers: Die Bauernkantate 31 ohne eine solche komponiert hat, liegt nahe, wenn man den altertümlichen Zug von Wort und Weise beachtet. ) Und daß ihr’s alle wißt wird von Philipp Spitta27 im Anschluß an die schon erwähnte Tanzschule als Paysanne, also Bauern- oder Rüpel-Tanz, bezeichnet; als Grundlage des Textes vermutet er ein Studentenlied. – Das abschließende Duett ist in Symmetrie zu dem einleitenden als Bourrée komponiert.

Diese aus dem Volksmusizieren bekannte Struktur basiert auf allgemein menschlichen Kommunikationsformen: Dasselbe – die Folge der Ritornelle – wird unterbrochen von dem immer Neuen – den unterschiedlichen Solo-Episoden; dem gemeinsamen Tun Aller steht die Aktion der Einzelnen gegenüber, die auf der Basis solcher Gemeinsamkeit ihren individuellen Beitrag leisten; dies entspricht einem Heraustreten aus dem Kreis, einem Zurücktreten in den Kreis usw. Indessen werden diese Prinzipien in der Vivaldischen Konzertform aus ihrem usuellen Kontext gelöst; außerdem wird die Form dynamisiert: Zumindest in den Kopfsätzen, aber auch in vielen Finali, gibt es – im Großen wie im Kleinen – wirkungsvoll disponierte Steigerungen.

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