Arthur Schnitzler und der Film German by Claudia Wolf

By Claudia Wolf

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3454. 48 Paech: Literatur und Film. S. 97. 49 „Der Andere“ dramatisiert einen Fall von „Dr. Jekyll and Mr. Hyde“. Vgl. die Ausführungen bei Kracauer: Von Caligari zu Hitler. S. 40. Nach dem „Anderen“ schreibt Paul Lindau 1913 das Drehbuch zu einem weiteren Film: „Der letzte Tag“. Regie führt wieder Max Mack. Seinen Roman „Spitzen“ produziert die „Nordisk“ 1914. 20 Bühnenschauspieler Albert Bassermann als Hauptdarsteller soll das Kino künstlerisch aufwerten:50 Nun ist also auch Albert Bassermann, der große Charakterdarsteller des Deutschen Theaters als Hauptdarsteller in Paul Lindaus „Der Andere“ – unter die Filmschauspieler gegangen, und eine neue Bresche ist in das Vorurteil gegen die Kinematographie als Kunst geschlagen worden.

S. 35. 55 Vgl. die Ausführungen bei Kracauer: Von Caligari zu Hitler: Kracauer kommt in seiner geschichtlichen und stark politischen Einführung über die Anfänge des Films zu dem Ergebnis, dass die Filme der Weimarer Republik in ihrer Mehrheit die autoritäre Struktur der deutschen Bevölkerung spiegeln und so die Empfänglichkeit der Deutschen für die Tyrannis bereits vor Beginn der NaziDiktatur deutlich machen. Die Wahnsinnigen, die Tyrannenfiguren, Übermenschen und Scharlatane, die die deutsche Leinwand nach dem Ersten Weltkrieg bevölkern, sind für Kracauer die Vorfahren der Tyrannen und Wahnsinnigen, die Deutschland in den Zweiten Weltkrieg treiben.

Die Modellierung des Kinofilms. S. 243-272. 74 Zu den Filmarbeiten des „Münchner Bohemien“ Heinrich Lautensack: Hätte ich das Kino. S. 101106. Friedrich Hebbels Gedicht war 1859 vom Comité der Tiedge-Stiftung in Dresden mit einem Preis ausgezeichnet worden. Der Film, Regie führt Hans Oberländer, hat keinen Erfolg, da das Epos nicht bildhaft genug ist. 75 Heinrich Lautensack: Warum? – Darum! (1913). In: Lichtbild-Bühne 23 (1913). Hier zitiert nach: Kaes (Hrsg): Kino-Debatte. S. 101. 76 Prodolliet: Das Abenteuer Kino.

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